ECO/VISIONI 2011 è un progetto di FORUM CONVERGENZE POSSIBILI SALENTO 2010, Arcadia Lecce, Fondo Verri, Laboratorio di Ricerca sull’Arte Contemporanea, che cerca di favorire un discorso a 360 gradi sulla cultura dell’ambiente e dell’eco/compatabilità multi-level intervention and critical theme. In order to define the eco / vision for a system, you must take into consideration environmental information on texts, contexts and images to probe different levels of detail. Here for March 18, 2011 at Salento Showroom via Regina Isabella 22 at 18.30 will be presented the latest work by Marisa Grande titled "From the universal symbols for writing", published by Besa Editrice
Can a comparative reading of the cosmogonic myths of different peoples contain a common heritage handed down through pre-scriptural symbols? Can pictograms and ideograms of Paleolithic origin conceal ancient astronomical knowledge? Can an ancient knowledge of the cycles of oscillation of the Earth being conveyed via all forms of writing? Marisa Grande study and compare the characters present in the universal symbols in hieroglyphics, letters and numbers, going through a rigorous overview, the stages of finding a "great cosmic code" that underlies the murals, the artifacts, writing . A fresh look on the history of peoples, of a universal nature, which sees the individual as part of a collective consciousness of cosmic dimensions, which shares the profound meanings of the archetypes of the collective wealth of knowledge that analyzed by Jung. The book From the universal symbols of writing is the second of the trilogy of which are part of the cultural horizon of megalithic (Besa 2008) el'inedito The precarious harmony of the cosmos. The three essays are the product of thirty years of research, conducted through the analysis of art, paleo-history, linked to the symbolism of the megalithic phenomenon in its astronomical character, considered as a balancing factor of the combination of Heaven-Earth.
Marisa Great founded the movement in the nineties Synergetic-art, a systemic approach to knowledge, which promotes cooperation between disparate areas of research. Member of the Company since 2001 italiana di Archeoastronomia - inaf, Osservatorio di Brera, Milano, scrive di paleo-archeoastronomia, di cosmologia, di arte e simbologia, di geomorfologia. Ha pubblicato: Linguaggio artistico (Avellino 1989); Arte come funzione – connessione di sistemi dinamici relazionati (Galatina 1990); Orientamento alla scelta dei libri di testo (Lecce 1996); L’orizzonte culturale del megalitismo (Nardò 2008).